Under the Wave off Kanagawa by Katsushika Hokusai

Full artwork / 750 x 509 px

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Ukiyo-eAOP / UNDER-THE-WA

Under the Wave off Kanagawa

Katsushika Hokusai

A claw-like wave hangs above the boats while Mount Fuji, echoing its shape in the distance, remains perfectly still.

Living Canvas / Visual evidence

Meaning, Symbols, Analysis and Details

Read Hokusai's print through scale, repeated contour and directional force. Seven regions show how a distant mountain remains stable inside a scene of immediate danger.

Date
约 1830–1832
Palette
Under the Wave off Kanagawa by Katsushika Hokusai
Evidence 01 / Visual analysis1.45x
01 / 07

Research note: The Museum of Fine Arts, Boston identifies this impression as part of Hokusai's Thirty-six Views of Mount Fuji series. Museum source

Research note: The MFA object record transcribes the Japanese title and records Hokusai's signature and publisher. Museum source

What remains debated

Evidence has limits.

The print is often reduced to a symbol of nature overwhelming humanity. The visible evidence is more balanced: the boats remain organized and Fuji remains stable, so danger, discipline and endurance coexist.

Questions about this painting

Meaning without a thin page

What should I look at first in Under the Wave off Kanagawa?

Begin with the crest behaves like a suspended claw, then compare it with mount fuji repeats the wave's triangular profile and three boats measure the scale of the sea. The sequence moves from visible structure toward interpretation.

What does Under the Wave off Kanagawa mean?

The print is often reduced to a symbol of nature overwhelming humanity. The visible evidence is more balanced: the boats remain organized and Fuji remains stable, so danger, discipline and endurance coexist.

Verify / 02

Verify the object record

Titles, dates, media, dimensions, institutional identifiers and retained sources remain separate from interpretation so each fact can be checked independently.

Record completeness

Research ready

100%
Primary title
Under the Wave off Kanagawa
Original title
Kanagawa oki nami ura
Alternate titles
The Great Wave; The Great Wave off Kanagawa
Date
约 1830–1832
Movement
Ukiyo-e
Object type
Woodblock print
Medium
Woodblock print (nishiki-e); ink and color on paper
Dimensions
24.5 × 36.5 cm
Holding institution
Museum of Fine Arts, Boston
Accession number
06.1153
Credit line
Denman Waldo Ross Collection
Digital image
750 × 509 px

Compare / 03

Compare evidence, not just images

Set this work beside a related painting to test differences in date, artist, movement, subject, palette and visible evidence.

Open side-by-side comparison

formal contrast

A Shipwreck in Stormy Seas

Claude-Joseph Vernet · 1772

Graphic contour versus theatrical storm

The pair tests how compressed printed line and expansive painted drama produce different experiences of danger.

Compare this pair

Artist authority pathway

Continue with Katsushika Hokusai

Open the artist profile

This is currently the artist's primary work in the atlas. Continue through the artist profile and movement page as the collection expands.

Learn / 04

Follow this painting through the knowledge graph

Continue through artist, movement, subject, emotion, color and visual-analysis methods. Each destination adds independent context instead of repeating the same interpretation.

Historical significance

Why this work still matters

Hokusai joined a traditional Japanese print format with a daring close-up, imported blue pigment and a distant view of Fuji, producing an image that reshaped how motion and scale could be pictured worldwide.

Detail coordinates

Look more closely

  1. 01Compare the curling wave with the small triangular outline of Mount Fuji beneath it.
  2. 02Follow the three boats and repeated crouching bodies through the wave trough.
  3. 03Look at how dark and pale bands of blue separate foreground force from distant atmosphere.

Reuse / 05

Turn the record into a usable result

Carry the verified object identity into a citation, classroom worksheet or source trail. Reuse means research, teaching and creative reference, not merely downloading an image.

Object connected

Continue from this painting

Move into the artist, test the object against a related work or apply a reusable research method.