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The Miracles of St. Ignatius of Loyola by Peter Paul Rubens

Full artwork / 1600 x 2164 px

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BaroqueSP / RUBENS-MIRAC

Miracles of Saint Ignatius by Rubens

Collection title / The Miracles of St. Ignatius of Loyola

Peter Paul Rubens

Ignatius stands above a surging crowd as multiple miracles, gestures and reactions are coordinated into one monumental Jesuit altarpiece.

Living Canvas / Visual evidence

Miracles of Saint Ignatius by Rubens: Meaning, Symbols and Visual Analysis

At more than five meters high, the altarpiece must coordinate many events at church scale. Five regions recover its hierarchy of saint, crowd, miracle and heavenly authority.

Date
c. 1617-1618
Palette
The Miracles of St. Ignatius of Loyola by Peter Paul Rubens
Evidence 01 / Meaning1.75x
01 / 05

Research note: KHM gives the dimensions as 535 × 395 cm and records the Jesuit Church in Antwerp as provenance. Museum source

What remains debated

Evidence has limits.

The painting promotes Jesuit sainthood and Counter-Reformation devotion, but individual reactions should not be treated as transparent testimony. Its secure evidence is the monumental hierarchy joining Ignatius, miracles, witnesses and heavenly sanction.

Questions about this painting

Meaning without a thin page

What should I look at first in The Miracles of St. Ignatius of Loyola?

Begin with ignatius stabilizes the upper center, then compare it with the crowd converts belief into reaction and diagonal gestures join separate events. The sequence moves from visible structure toward interpretation.

What does The Miracles of St. Ignatius of Loyola mean?

The painting promotes Jesuit sainthood and Counter-Reformation devotion, but individual reactions should not be treated as transparent testimony. Its secure evidence is the monumental hierarchy joining Ignatius, miracles, witnesses and heavenly sanction.

Verify / 02

Verify the object record

Titles, dates, media, dimensions, institutional identifiers and retained sources remain separate from interpretation so each fact can be checked independently.

Record completeness

Research ready

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Primary title
The Miracles of St. Ignatius of Loyola
Original title
The Miracles of St. Ignatius of Loyola
Creator
Peter Paul Rubens
Date
c. 1617-1618
Movement
Baroque
Object type
Painting
Published material
Canvas
Paint binder
Not published by the holding institution
Dimensions
535 × 395 cm
Holding institution
Kunsthistorisches Museum Vienna
Current location
Kunsthistorisches Museum Vienna, Gemäldegalerie
Accession number
Gemäldegalerie, 517
Attribution
Peter Paul Rubens
Digital image
1600 × 2164 px

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Analyze this paintingElements of artComposition guideReligious Artreligious artSaint IgnatiusJesuitmiraclecrowdCounter-Reformation

Historical significance

Why this work still matters

The work adds a monumental Counter-Reformation case study and shows how Baroque composition guides attention through simultaneous religious events.

Detail coordinates

Look more closely

  1. 01Locate Ignatius before reading the crowd.
  2. 02Follow repeated diagonals through reaching arms and bodies.
  3. 03Compare heavenly and earthly zones across the enormous vertical format.

Reuse / 05

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